j
jamesy_z

Jamesy

@jamesy_z

comic book art, graphic novel, webtoon artist, manga illustration storyboard art

Nigeria
Engels
Sommige informatie wordt in het Engels weergegeven.
Over mij
Hi, I'm James! I specialize in sequential storytelling, offering expert services as a comic book art creator, webtoon artist, manga illustration expert, and professional storyboard artist. Whether you need dynamic superhero pages, a gripping vertical webcomic, authentic black-and-white manga, or precise storyboards to guide your film or animation project, I bring scripts to life with cinematic pacing. Let’s collaborate and turn your vision into stunning visuals!... Lees meer
j
jamesy_z
Jamesy
offline • 

Bekijk mijn diensten

Illustratie
I will create nice iooking anime chibi illustrator
Achtergronden en omgevingen
I will create geometry dash decoration for your level layout

Werkervaring

Fiverr

Comic artist

Fiverr • Freelance

Mar 2020 - Feb 20232 yrs 11 mos

As a Lead Comic Book Art Creator for our flagship superhero and sci-fi titles, I am responsible for transforming raw, complex scripts into visually stunning, dynamic sequential pages. My daily workflow involves collaborating closely with writers, editors, and colorists to ensure narrative continuity and striking visual impact. I handle the entire penciling and inking pipeline, focusing heavily on dramatic anatomy, forced perspective, and cinematic panel layouts that guide the reader’s eye effortlessly across the page. Over my tenure, I have streamlined our digital ink production by developing custom brush sets that cut down rendering times by 15% without sacrificing the gritty, high-contrast style our fans expect. I manage tight monthly deadlines, consistently delivering 22 pages of highly detailed art per issue. Additionally, I participate in creative concept meetings to design new character variants, costume updates, and cover art, ensuring that our visual brand remains fresh and competitive in a crowded market. My dedication to the craft has helped elevate the title's monthly sales and maintained a pristine record of zero missed publishing deadlines.

Comic_Con Africa

Webcomic Artist

Comic Con Africa • Parttime

Jun 2021 - Dec 20221 yr 6 mos

in my role as a Webtoon Artist, I adapted traditional storytelling methods into the rapidly growing vertical-scroll format optimized for mobile devices. I managed the full production lifecycle of a weekly romance-fantasy series, which included storyboarding, line art, coloring, and final asset delivery. Understanding the psychology of the scroll was critical; I strategically utilized white space and pacing to build tension, deliver comedic timing, and create emotional peaks. To maintain a grueling weekly release schedule of 60 to 80 panels, I established an efficient asset library for recurring backgrounds, 3D models, and color palettes, boosting overall studio workflow efficiency by 25%. I also collaborated with marketing teams to cut eye-catching promotional banners and thumbnail variants, directly contributing to the series reaching over one million active subscribers. This position required a deep mastery of vibrant digital coloring, cell shading, and special effects lighting to make the artwork pop on smartphone screens, alongside a strong feedback loop with fans via platform comments to adjust visual pacing based on reader engagement.

Upwork

Manga Illustration Expert

Upwork • Freelance

Feb 2020 - Aug 20211 yr 6 mos

Working as a Manga Illustration Specialist, I immersed myself in the rigorous, traditional black-and-white aesthetic required for serialized anthology magazines. My core responsibilities revolved around turning draft storyboards into high-contrast, inked master pages utilizing advanced screentone techniques, hatching, and dynamic speed lines to convey movement and explosive energy. I worked hand-in-hand with the chief editor to refine character expressions, ensuring that subtle emotional arcs resonated deeply with the target demographic. My expertise in background detailing—ranging from hyper-realistic urban landscapes to abstract emotional voids—helped ground the fantasy narratives effectively. I managed a small team of two background assistants, delegating perspective layouts and flat tone applications to keep pace with aggressive bi-weekly deadlines. Through strict adherence to classic manga formatting, screen-layering discipline, and precise ink work, I successfully illustrated a 15-chapter spin-off series that was later collected into a standalone graphic novel tankōbon.